Superband 雜記I
Tuesday, July 08, 2008

昨天，終于見到小松老師了。

Jojo姐的廬山真面目也終于弄清了。XD

其實蠻奇怪的，在這種社交場合中，主角的出現與否已經變得次要，最讓我記憶猶新的是與其他志趣相投的“陌生人”交流，分享經驗。松有多少次回頭向我們望去，我也忘了；松離開時的招手，在我腦海中只是一頁模糊的記憶。說實話，五月天在去年為愛而生簽唱會上所說的話我都忘光了，我只記得排隊時和坐在左右前後的鄰座説話的情形。(:

事後回家的路上我向和我結塊一道去的jasmine，peiting，sijia把所有積澱在心理壓抑已久的興奮情緒完完全全釋發出來(Thanks, by the way! XD)！

只是可惜……沒等到F.I.R. =/ 當時糾結了一下下，最後還是為學業讓步。（幸虧如此……今天training跑4.0km嘞！-昏-）多少次的擦肩而過，多少次的遺憾！看來我和F.I.R.今生是無緣見面啦。因此決定不去8月8日的F.I.R.《第十行星》演唱會了。（也是為我的荷包着想啦！）

不知道耶……對主流事物出奇反感的我竟然對選秀比賽懷有這麽大的興趣。不管是選秀比賽的鼻祖- 《美國偶像》 (American Idol) 還是So You Think You Can Dance，或是已經從世上蒸發的《校園歌喉戰》和《藝能歌喉戰》，都超喜歡看。=。= 選秀比賽又恰恰出自主流筆下，從比賽模式到歌曲的選擇，無一是打著主流的廣告牌？一個人氣的比賽，一個衡量歌手多大衆化的系統 - 主流音樂有那麽好聽嗎？？！！唱片市場在短期内要生存，的確需要人氣極高的歌手撐台，但假如把樂壇如同文學界作比較，作品需要有質量，《達芬奇米瑪》或許在2004年紅遍全球，銷量達到百萬本，但千年之後還有誰會記得曾經有個叫丹.佈朗的作者；千年之後還有誰會曉得儸志祥是誰？

再澄清一下:我並不是認爲主流不好，我只是覺得大部分的人都不用腦思考就跟風、仿效，讓遊戲規則變得很不公平。有時覺得一些音樂人似乎有些錯亂 - 居高不下的人氣不等于質量好的音樂；這種東西又不是總統大選，"the majority wins"不適合當作評論音樂的測試紙（litmus paper, I mean XD)。衆多音樂大獎淪爲人氣投票比賽的時代，還有什麽音樂獎項能獎勵那些為小眾音樂努力付出和無私貢獻的音樂人？

又扯遠了。


大人們，不要教坏小孩子喔！

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